“You know when a song is good enough to let go,” muses Seamus Fogarty of his patient and meticulous approach to songcraft. Over time and tide it’s given rise to the London-based Irish alt-folk and electronica alchemist’s truly magnificent second album and Domino debut The Curious Hand. A record not born of grand ideas realised at a stroke, but eked out slowly and steadily, honed and cultivated, turned over and around, deconstructed and put back together again. A record made through open-spirited collaboration with friends and family and hours lost in a headphone world. All that and Seamus’s natural...