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Franz Ferdinand

Always Ascending

Cassette £4.99 CD £10.99 Signed Deluxe LP… £25

A triumphant recasting, Franz Ferdinand's Always Ascending is as exuberant as it is euphoric, bursting with fresh ideas born of what Alex Kapranos calls "aggressive sonic experimentation." With the ...View 'Always Ascending'?

Image: Relatives In Descent

Protomartyr

Relatives In Descent

Cassette £7.99 Limited Edition… £20.99 LP £17.99 Standard CD £10.99

TRACK LISTING

01. A Private Understanding
02. Here Is The Thing
03. My Children
04. Caitriona
05. The Chuckler
06. Windsor Hum
07. Don’t Go To ...View 'Relatives In Descent'?

 
Image: FF AA packshot
Image: The House cover
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Image: Standard LP
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Image: Relatives In Descent
Image: Bright Phoebus LP
Image: Eucalyptus DLX Vinyl
 
Image: Coloured Vinyl Mock Up
Image: Remix - Children - White Label
Image: condemnation
Image: Vinyl EP
Image: New Lots / With You
Image: Leonard” b/w “Carolyn
Image: Stained Glass 7"
Image: Painters 12 Mock Up
 

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1995, STREAMING NOW

Palace Music | 16/04/18

Palace Music - West Palm Beach / Gulf Shores - Streaming Now

Palace Music - The Mountain Low - Streaming Now

Palace Music - The Mountain - Streaming Now

The “Palace Brothers” were invited to open the 2nd stage of the Lollapalooza tour for a couple of weeks in the summer of 1994.  At the end of that run a recording session was booked at producer Kramer’s home studio in New Jersey.  The band was... Read more?

1994, STREAMING NOW

Palace Songs | 09/04/18

Palace Songs - Horses / Stable Will - Streaming Now

It was a silver age of 7” singles in the early 1990’s.  The third single attributed to a Palace conglomerate was the equine-themed “Horses”/”Stable Will”.  “Horses” was recorded by Steve Good, who has recorded live underground shows in Louisville for decades.  The session took place primarily at a house shared by Bob Nastanovitch, Will Oldham, and Britt Walford.  Photographs from the session show Brian McMahan... Read more?

RICHARD DAWSON

“I feel like shouting”, says Richard Dawson, quietly ‘I really believe in this album.  It feels somehow different than before…..that this can be something important, something of use.”

No listener to Dawson’s earlier music has ever discerned a lack of artistic ambition. Whether they got on at the last stop - the 4 track Tyneside-Trout-Mask-through a-Vic and Bob-filter of Nothing Important - or earlier in the journey, with The Glass Trunk’s visceral song cycle or The Magic Bridge’s sombre revels, devotees of his earlier recordings will be at once intrigued by and slightly fearful of the prospect of a... Read »